Волшебный мир Аладдина: история героя и его приключения

Aladdin (2019 film) - wikiquote

Песни из фильма

  • Arabian Nights ( Арабские ночи ) — Marinier
  • Je vole или Pour une bouchée de pain au Québec (на один прыжок вперед ) — Аладдин, стража и жители Аграбы
  • Je vole или Pour une bouchée de pain au Québec (На один прыжок вперед ), обложка — Аладдин
  • Парлер ( Без слов ), Часть 1 — Жасмин
  • Я твой лучший друг или такой друг, как я, в Квебеке ( Friend Like Me ) — Genie
  • Принц Али — Джинн и парад принца Али
  • Эта голубая мечта или новый мир в Квебеке ( A Whole New World ) — Аладдин и Жасмин
  • Je vole ( One Jump Ahead ), вторая обложка — Аладдин
  • Говоря ( безмолвно ), часть 2 — Жасмин
  • Я твой лучший друг или такой друг, как я, в Квебеке ( Friend Like Me ), финал — Genie
  • Целый новый мир — Конец титров
  • Friend Like Me — Конец титров

Когда вышел трейлер, песни Ce rêve bleu и Je suis ton Meilleur ami также были в версии для Квебека. После недовольства фанатов был выпущен новый трейлер фильма «Новый мир» . Что касается фильма, песни Un nouveau monde , Pour une bouchée de pain , Un ami comm moi и Nuits d’Arabie включены в версию в Квебеке с некоторыми текстами, заимствованными из французской версии. Песня принца Али одинакова в обеих версиях.

Positive Elements

The film makes it clear that seeking solely after wealth and power can be—in fact, almost always will be—a destructive path to take. (And those ends are, of course, the very things Jafar yearns for with all of his wicked heart.) Such self-serving pursuits are defined as a trap that will keep a person ensnared in them, endlessly seeking after more and more.

On the other hand, being wise and caring for others is a fulfilling endeavor, the movie tells us. Jasmine, for instance, repeats her mother’s belief that, as royalty, “We can only be as happy as our least happy subject.” She dresses up in disguise and hands out food to hungry children in the streets. And that’s the sort of thing that motivates her to someday follow in her father’s footsteps as sultan: not for the sake of power but to make wise and compassionate choices on behalf of those she would rule.

After being told to stay quiet and keep her opinions to herself, Jasmine pushes back with a song called “Speechless” that declares why she won’t be silent about what she believes. But it’s not so much a song about claiming power as it is a tune focused on using one’s influence to do the right thing, to serve others and do right by them.

Aladdin, for his part, is described as a “diamond in the rough.” Despite his difficult circumstances (and his sense that he must steal to survive), Aladdin is ultimately shown to be a person of real character, too. He’s forced to face his fears of telling Jasmine the truth about who he really is after posing (with Genie’s help) as a wealthy prince. As he’s caught up in that deceptive masquerade, Genie points out that his lies will increasingly box him in: “The more you gain by pretending, the less you actually gonna have,” Aladdin’s blue friend earnestly tells him.

Movie Review

What would you do with three wishes granted by a genie?

That’s a pretty big question, especially for a guy like Aladdin. He’s never had anything. After losing his parents as a boy, he’s had only his wits and his pickpocket skills to call his own. Well, that and a little monkey sidekick named Abu. But trust me, having a monkey as your only parental authority (as Aladdin wryly observes) is no picnic.

So when Aladdin gets his hands on a magic lamp and finds that it’s inhabited by a huge blue genie that will give him almost anything he wants, he has to think about things a bit.

I mean, he could wish to be wealthy beyond measure. He could have castles and servants. He could be incredibly powerful. But even the genie himself warns that drinking from that cup is never fulfilling. “There’s never enough,” the wispy blue giant says as he puffs forth from the lamp’s spout. And Aladdin can see the wisdom in that.

What he wants more than anything is the love of a princess. You see, Aladdin had serendipitously met the Sultan’s beautiful daughter, Jasmine, quite by accident in the city marketplace. He was there seeking a little sustenance for the day. Princess Jasmine was there in disguise, seeking insight into the people of her kingdom. But what they both found was a little unexpected romance: A smile. A laugh. A moment together with no boundaries of class.

Of course, a meager thief can’t hope to woo the daughter of a sultan, no matter how charming he may be. And the genie warns that there are certain things—such as causing someone to fall in love or raising the dead—that are outside the purview of even his great big cosmic powers.

But there may yet be a way. Aladdin just needs to be careful about his choices, about how he uses the potent magic wishes that the genie bestows.

But his plan faces one major obstacle: Jafar, the wicked vizier to the Sultan. He’s the power-hungry sorcerer who sent Aladdin crawling into a cave seeking out the magic lamp in the first place. If Jafar got his hands on the lamp, well, there’s no telling what horrible things that man might do.

So Aladdin must be wise. He must consider carefully.

Violent Content

Guards run after Aladdin through the marketplace after he steals something (and after Jasmine takes something from someone and doesn’t seem to think that she needs to pay for it). Some sellers’ stalls are destroyed and the guards fall from a tall scaffold in the frantic, comical chase that ensues.

We hear that Aladdin lost his parents as a boy, and Jasmine talks of her mother being killed in the past; but the details of those deaths are never discussed.

Jafar puts Aladdin’s life as risk on several occasions. When that magical cave is crumbling and filling with molten lava, Jafar kicks Aladdin back into the chaos (though the hero is saved by his flying magic carpet). Jafar also ties the young man up later and pushes him off a tall tower into the ocean below. Aladdin nearly drowns before being rescued.

Jafar also sends someone else into the cave, the entrance to which looks like a huge lion with an open mouth. The mouth closes, and presumably Jafar’s lackey loses his life. It’s implied that there have been quite a few such failed “diamonds in the rough.”

Differences from the cartoon version

There are some differences in the film from the cartoon version . So the Sultan is much more serious and Jasmin’s maid was invented especially for the real film. Jasmin is portrayed much more independently and does not let Jafar forbid her mouth in a chant sequence. In the cartoon, Jafar turns into a giant cobra , among other things , while here he turns his parrot into a gigantic version of himself (reminiscent of the bird Roch from the fairy tales from the Arabian Nights ). According to Aladdin’s third wish, Jinni does not turn into a human being in the original cartoon, but remains in his usual form.

Актеры и роли

Ожидается, что главные герои вернутся, их сыграют те же актеры, что и в первой экранизации.

Актер Персонаж Описание
Мена Массуд Аладдин Уличный мальчишка, выросший в ​​шумном городе Аграба, обладает пытливым и острым умом. Его ближайший спутник — озорная обезьянка Абу. Однажды обнаружив волшебную лампу, в которой обитает Джинн, Аладдин получает возможность стать принцем. Такая трансформация направлена на завоевание сердца принцессы, в которую герой влюблен всем сердцем
Наоми Скотт Жасмин Очаровательная принцесса Аграбы известна своей храбростью, ловкостью и гордостью. Иногда она маскируется под простолюдинку, чтобы исследовать улицы города, где в один волшебный момент она и пересекается с Аладдином. Несмотря на свою жизнь во дворце, она жаждет настоящей любви, а не брака по расчету
Уилл Смит Джин Всесильный дух, обитающий в волшебном сосуде и способный исполнять желания каждого владельца лампы. Известен своим игривым характером, способностями к изменению формы и возможностью воплощать буквально любой каприз хозяина (за исключением убийства, воскрешения и любви). В конце первой части Джин обретает свободу, когда Аладдин освобождает его из рабства лампы
Марван Кензари Джафар Главный антагонист, как в первой, так и во второй части, вынашивает планы захватить власть над Аграбой, стать султаном и жениться на принцессе Жасмин. Он неустанно стремится доказать свою силу, храбрость и угрозу, но постоянно сталкивается с препятствиями со стороны Аладдина и его друзей

Мена Массуд
Мне нравится1Не нравится

Наоми Скотт
Мне нравится1Не нравится

Уилл Смит
Мне нравится2Не нравится

Марван Кензари
Мне нравится1Не нравится

reception

Gross profit

The film had a budget of around $ 183 million. The worldwide revenue from cinema shows is $ 1.05 billion. It is now number 9 among the and number 37 in the (as of August 8, 2020). In Germany, the film recorded 1,988,958 visitors and is 11th in the .

Reviews

On the Rotten Tomatoes website , the film was «only» able to convince around 57 percent of the critics, with the «normal audience» the film was able to achieve a significantly better result, where 94 percent liked the film.

Awards

Art Directors Guild Awards 2020

Nomination in the fantasy film category

Costume Designers Guild Awards 2020

Nomination in the category Excellence in Sci-Fi / Fantasy Film ( Michael Wilkinson )

Critics’ Choice Movie Awards 2020

Nomination for the best song («Speechless»)

Golden raspberry 2020

Nomination for the Raspberry Redeemer Prize ( Will Smith )

Hollywood Critics Association Awards 2020

Nomination for the best original song («Speechless»)

Hollywood Music in Media Awards 2019

Nomination for best song — feature film («Speechless», Alan Menken , Benj Pasek , Justin Paul and Naomi Scott )

National Film & TV Awards 2019

  • Nomination for Best Actor 2019 (Will Smith)
  • Nomination for Best Actor 2019 ( Mena Massoud )
  • Nomination for Best Actress 2019 (Naomi Scott)
  • Nomination for Best Supporting Actress 2019 (Naomi Scott)
  • Nomination for Best Director 2019 ( Guy Ritchie )

Nickelodeon Kids’ Choice Awards 2020

  • Nomination for best film
  • Nomination for Best Actor (Will Smith)

People’s Choice Awards 2019

  • Award in the Family Movie of 2019 category
  • Nomination as Male Movie Star of 2019 (Will Smith)
  • Award for the best costumes (Michael Wilkinson)
  • Nomination for Best Fantasy Film
  • Nomination for Best Supporting Actor (Will Smith)
  • Nomination for Best Director (Guy Ritchie)
  • Nomination for Best Equipment ( Gemma Jackson )
  • Nomination for Best Score (Alan Menken)
  • Nomination for the best special effects or visual effects
  • Nomination for Best Editing ( James Herbert )
  • Award in the Choice Sci-Fi / Fantasy Movie category
  • Award in the Choice Sci-Fi / Fantasy Movie Actor category (Will Smith)
  • Nomination in the category Choice Sci-Fi / Fantasy Movie Actor (Mena Massoud)
  • Award in the category Choice Sci-Fi / Fantasy Movie Actress (Naomi Scott)
  • Nomination in the category Choice Movie Villain ( Marwan Kenzari )
  • Award in the category Choice Song From A Movie ( A Whole New World , Zayn & Zhavia Ward)

Visual Effects Society Awards 2020

  • Nomination in the category Outstanding Created Environments in a Photo-Realistic Fiction ( Agrabah ; Daniel Schmid , Falk Boje , Stanislaw Marek & Kevin George )
  • Nomination for Outstanding Practical Special Effects ( Magic Carpet ; Mark Holt , Jay Mallet , Will Wyatt & Dickon Mitchell )

Бюджет

Бюджет фильма пока не раскрывается, однако вряд ли он превзойдет такие высокобюджетные картины, как «Пираты карибского моря: на странных берегах» – 403 млн $, «Человек-паук 3» – 298 млн $ и даже «Хроники Нарнии: Принц Каспиан» – 250 млн $. Известно лишь, что единственной супер-звезде картины Уиллу Смиту, сыгравшему Джина, заплатили 20 млн $ или 1,3 млрд руб. аванса (он получит также процент от проката) и 50 млн $ или 3,2 млрд руб. за саундтреки к фильму.

Рис. 1 Уилл Смит в роли Джина

Для сравнения, на мультфильм «Аладдин» было затрачено всего 28 млн $ или 1,8 млрд руб., съемка же аналогичных ремейков по другим мультфильмам обошлась Disney в:

  • 200 млн $ – «Алиса в стране чудес»;
  • 95 млн $ – «Золушка»;
  • 180 млн $ – «Малифисента» («Спящая красавица»);
  • 65 млн $ – «Пит и его дракон»;
  • 175 млн $ – «Книга Джунглей».

Исходя из этих цифр можно предположить, что «Аладдин» по красочности более близкий к «Алисе в стране чудес», «Малифесенте» и «Книге джунглей» обошелся создателям в 150–200 млн $ или 9,6–12,9 млрд руб.

Интересный факт! Бюджет только 1 эпизода Игры престолов 8 составил около 1 млрд руб.

Spiritual Elements

Obviously, a huge part of the action here revolves around a magical genie and the idea that this spiritual being, who’s held captive in a lamp, springs forth with nearly unlimited power when he’s summoned by someone rubbing it. In fact, Genie’s called the most powerful being in the universe a couple of times (with no reference to where or how God might fit into that understanding of things), though the ultimate source of his power is never identified.

We see Genie’s potent magical abilities manifested in a variety of broad, fantastical ways. He magically whips up vast displays of riches and power to temporarily make Aladdin appear to be a wealthy prince named Ali. He also transforms Abu the monkey into an elephant, as well as creating an entourage of dancing male and female servants.

However, the film makes it clear that even fanciful magical things of that sort come at a price. Genie is, by definition, captive to his lamp and at the compulsory service of whoever rubs it. He states that he’d readily give it all away in exchange for a normal life as a human man, with a wife and children. Genie also warns that nearly everyone who’s ever summoned him has put his magical power to work in destructive ways.

Illustrating this anti-magic perspective, the evil Jafar eventually gets his hands on the lamp and forces Genie to imbue him with even greater powers than he already has. We’ve already seen the Sultan’s sorcerer hypnotize and manipulate various characters with his magical, cobra-shaped staff; but Jafar’s powers are magnified massively once Genie grants his wish.

Jafar uses his powers to imprison and physically torment others. He also says that he can kill someone with his abilities whenever he feels like it. But, as so often happens in movies, the evil sorcerer’s appetite for ever-greater power eventually proves to be his undoing.

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